Tamera Lyndsay's CV:
Art & Independent Designer/Manufacturer Background
Late Seventies/Early Eighties:
-Assistant to Anne VonBahrenberg, retired curator, Grand Central Gallery.
-First sold out art show, mixed media at age 19
(Curated by Rubellio Maxwell, Hard Art, 16th st. Wash., DC)
Early-Eighties:
-Factory production assistant, Terra Firma, NYC (ladies belts/accessories)
Mid-Eighties:
-Assistant to artists Lyn Lapointe and Martha Fleming in Montreal (petit filles firehouse installation).
Mid-Late-Eighties:
-Assistant to Loren MacIver (first female painter to be included in the Metropolitan Museum of Art's permanent collection).
Mid-Late Eighties:
-Emerged from the High Design movement NYC with millinery, accessories, table top, and leatherbound journals and albums.
-Collaborations with Barbara Klar Clear Metals NYC, co-operated Clear Metals with Barbara at Clear Metals original E. 7th St. location.
-Collaborations with Clodagh for Den Su's collosal boardroom in Tokyo,
-Collaborations with Glen Yank for Vogue magazine editorials.
-Work featured on covers of NY Times Magazine, Accessories, Seventeen,
Late Eighties/Early Nineties:
-Started up in-house production of accessories
-Represented by Yvette Fry Showroom, 5th Avenue, internationally, in her first collection of designers.
-Apprenticeship in Arizona with Paul Bond's right hand man, Bob Mclean (western boots)
Mid-Nineties-Millenium:
-Moved operations to Northern Az. to increase production ability and better access the West Coast Markets.
-Represented by Fine Lines internationally in Los Angeles, under the Wilma Accessories brand.
Millenium to 2016:
-Founded The Shoe College, Université des Chaussures in Northern Arizona.
2010-2016 Conducted extension courses in New Orleans (heels)
2016-Present: Currently conducting courses and programs in New Orleans
Future: Keep your eyes open & put your best foot forward!